Wednesday, November 20, 2013

Suffering

I had a double feature earlier today, celebrating my two done exams (actually two more to go). First is Denis Vileneuve-directed Prisoners and Kevin MacDonald's Brit-YA How I Live Now. Both films include lots of suffering and I am currently suffering because I have to study for final exams so I guess it's just fitting that the title for this post be Suffering.

Prisoners
This star-studded indie-feeling yet studio-funded film initially didn't catch my attention from the trailer. I dismissed it as generic, but of course there's more to that because look at the star power in this film. It turns out to be right, the film got a lot of awards buzz, and my brother was raving about this back in Indonesia. The story is about two families who lost their daughters and one father who's willing to cross the line to get her daughter back, and one detective who's assigned to this dismal case. The film's exciting and engaging story made you stressed out and emotional. The twists and turns are unexpected. The film's bleak color palette is gorgeous, and the quiet, atmospherical score is also fitting. However, the film's weakest point is Jake Gyllenhaal's Detective Loki's character who seemed to be incompetent on working the case. I bet you could work out the case before this Detective. However, Gyllenhaal was great in the role and it's a shame that this character didn't get the chance to be fleshed out. We already saw his weird eye-blinking, his Freemasons ring and strange tattoos on his fingers, but I guess that's up for our interpretation. Great performances by Hugh Jackman, Paul Dano and the near unrecognizable Melissa Leo. The film plays on the issue of religion and karma, mostly from the viewpoint of Jackman's Keller Dover. The film's overlong duration was necessary because in the end, we just want the film to continue. Prisoners: rated 4/4.

How I Live Now
Saoirse Ronan stars yet again in a young adult novel adaptation after her failed outing in Stephenie Meyer's The Host just earlier this year. But this film is based on a Brit YA, and of course it's so different. The story is set in the near future where World War III was breaking out, and Daisy (Ronan) was sent from the US to England to seek refuge to her family, things started to move when a nuclear bomb was dropped in London. The film kept it small scale but it could make us care for the character on-screen. Apart from the film's love story sub-plot, the story works. However, the things the characters do on-screen are sometimes downright stupid. For example a young boy lost his will to live after the terrorist group killed his dog, what the fuck right? Or, how Daisy, after one sex, decides to stay in England, a place she loathed, when she already got a ticket back to the States. Those are the ridiculous parts, but the rest of the film were doing okay. It has strong sequences accompanied with killer soundtracks, great sceneries, intense electronic score, and apparently it's rated R! I didn't even realize it. Did I mention that this film also stars the brilliant Tom Holland, who plays the kid in The Impossible? The little kid who plays Piper is another gem in the film. Unlike other YA which needs a big name actor who could carry the film, this one doesn't at all. In conclusion, the film is waaay better than TwilightBeautiful Creatures, The Host, or most young-adult adaptations. But still this film is out of The Hunger Games's league. How I Live Now: rated 3/4

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